It is an opportunity for us to reflect on the language and ideas that represented each year. So, take a stroll down memory lane to remember all of our past Word of the Year selections.
Every great tragedy is dominated by a protagonist who has within himself a tragic flaw, too much or too little of one of Aristotle's twelve virtues. In Macbeth, by William Shakespeare, Macbeth, a great Scottish general and thane of Glamis, has just won an important battle, when he is told by three witches that he will become thane of Cawdor and then king of Scotland.
After Macbeth is given Cawdor by King Duncan, he takes the witches words for truth and conspires against Duncan with his wife. When Duncan comes to Macbeth's castle that night, Macbeth kills him and takes the crown for himself after Duncan's sons flee from Scotland.
Then Macbeth reigns for a while, has several people killed, and is eventually slain by Macduff when he and Malcolm return leading the armies of England.
Often people read the play and automatically conclude that Macbeth's tragic flaw is his ambition; that he is compelled to commit so many acts of violence by his lust for power.
However, by carefully examining the first act, one can determine the defect in Macbeth's character that creates his ambition; his true tragic flaw.
Macbeth showed that he had a fatal flaw, which was that his ambition was what mainly factored his decisions. This is shown when he killed the King in his quest for power, when he killed his friend Banquo, and when he killed the wife and child of MacDuff. Title: A Room of One's Own Author: Virginia Woolf * A Project Gutenberg of Australia eBook * eBook No.: txt Edition: 1 Language: English Character set encoding: ASCII Date first posted: October Date most recently updated: July This eBook was produced by: Col Choat Production notes: Italics in the book have been converted to upper case. His fatal flaw was that he was according to Ross, "a disloyal traitor". The thane of Cawdor was greedy, and wanted the throne of England for himself, and as a result was murdered. But his murder wasn't really disheartening, because the Thane of Cawdor, deserved his fate.
Macbeth's tragic flaw is not his ambition as most people believe, but rather his trust in the words of the witches and in his wife's decisions. At the beginning of the play Macbeth has no designs on the throne, and he does not start plotting until his wife comes up with a plan.
When first faced with the witches' words, Macbeth expresses astonishment and disbelief rather than welcoming them when he says, " When confronted with the witches' proclamation that he is to be king, Macbeth responds as a loyal subject would; not as a man with secret aspirations in his heart.
He has no reason to hide his true feelings at this point so therefore it can be assumed that Macbeth has not yet truly considered killing the king. Even after the first of the witches' predictions comes true, Macbeth does not plot against the king but instead decides to leave it to chance.
Macbeth has already been granted the title of thane of Cawdor, but still he acts as though a loyal subject would.
His lack of ambition is stressed here by the fact that the actor is speaking the thoughts of the character rather than words that the character says aloud. It is Macbeth's wife that decides to convince her husband to kill Duncan after she has learned what has happened, "Glamis thou art, and Cawdor, and shalt be what thou art promised.
Yet do I fear thy nature; It is too full o' the milk of human kindness to catch the nearest way. She goes on to say that she will bring him around to her way of thinking. So obviously, Macbeth himself is not excessively ambitious, he has no desire to kill Duncan until Lady Macbeth plants the thought within his heart.
Macbeth's true tragic flaw, the force behind his ambition, is his gullibility, his willingness to trust the witches and his wife; no matter how terrible their ideas may be. By the end of the fourth scene Macbeth is already beginning to acknowledge the witches' words as truth after Malcolm becomes Prince of Cumberland, the heir to throne, " Aside The Prince of Cumberland!
That is a step on which I must fall down or else o'erleap, for in my way it lies.
Despite centuries of tradition that tells Macbeth that witches are evil, and therefore lie, he is already thinking that what they say is true.
While talking with his wife about her plans, Macbeth says, "We will proceed no further in this business Macbeth quickly accedes to his wife's wishes, displaying his willingness to trust his destiny in the hands of others.poem analysis essay the man he killed fauvism essay, glinus oppositifolius descriptive essay wissenschaftlicher essay geschichte deutschlands cerisier de virginie descriptive essay macbeth fatal flaw essay writer truth and lies essays future city narrative essay mohenjo daro essay help young goodman brown essay analysis parker j palmer leading.
Ambition – Macbeth’s Fatal Flaw Macbeth’s unbridled ambition leads to his downfall as he sinks further and further into murder and death. If he had not been so ambitious, he would have avoided this tragedy.
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Banquo’s fatal flaw as that although he knew that MacBeth killed Duncan, he really didn’t do anything about it. There were many opportunities where Banquo could tell someone such as MacDuff what he thought about the murders.